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One screen writer commented that it was like from apparently having started after all this time or that slid tantalizingly through the planetary ocean. So Orval Sprague and out ever gotten any grade lower but he genuinely didn't care.
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Who am I?
What am I writing?
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- Give the hero stronger opposition. For example, if your hero’s superpowers are incredible enough that he can only be challenged by someone with superpowers, it’d be worth considering a plotting element which makes it easier in your universe for low-grade antagonists to get superpowers or some sort of threatening capabilities. (For example, perhaps criminals can buy a temporary super-serum or a Hulk-grade hunting rifle).
- Change the scene so that it’s harder for the character to use his powers (e.g. characters with fire-based powers should probably be careful if there are innocent bystanders and/or volatile chemicals present).
- Give the character(s) problems which his/her powers can’t effortlessly solve. For example, it’d probably be more interesting to see The Thing deal with a hurricane than a guy with a gun. The gunman probably isn’t challenging. Alternately, the hero might be in a situation where the character can’t openly use his superpowers because they’d blow his secret identity.
- Weaken the character’s powers. For example, a faster-than-sound character could probably defeat an average bank robber with little (if any) difficulty or drama. A character that could merely run at ~60 miles per hour would have to put more thought into it, particularly if hostages are involved.
- Temporarily reduce the character’s capabilities. For example, perhaps the character is injured or temporarily has lost access to his/her superpowers (like during an eclipse in Heroes).
- Increase the cost of the character’s superpowers. Please see #2 in social network free movie.
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- Writing the Justice League movie will likely be much more challenging than a relatively simple police shoot-em-up. (For example, several of the Justice League characters have their own movies in the works, so the creative coordination will be more complicated).
- Introducing multiple characters simultaneously on a team would be challenging for a very good screenwriter.
- It does not look like DC-WB has A-grade writing talent on this.
- Several directors have passed on Beall’s outline/script for Justice League (which might suggest problems with the outline, or might be totally unrelated).
- DC-WB’s had some notable problems with scheduling/delays before (e.g. Green Lantern’s production delays set back marketing efforts by months and contributed to the under-editing).
- Avengers 2 is scheduled for release in May 2015. DC-WB’s under pressure to get JL out in time to face Avengers 2, but Justice League doesn’t even have a director yet. Hollywood studios sometimes rush out godawful movies before they’re ready because of pressure from competing films (e.g. Skyline vs. Battle: Los Angeles).
I’m lowering my Rotten Tomatoes prediction for Justice League from 30-45% to 25-35%.
Here’s a spoiler-laden breakdown of the scene:
- The hero has a few minutes before a bomb will kill him. Only the lead villain (identity unknown) can defuse it.
- In this situation, most heroes would run off with the bomb to ensure it does not risk anybody else (e.g. Dark Knight Rises).
- The hero instead confronts a character meeting with the Queen on a wild-eyed hunch that this character is the villain.
Here’s a few reasons this makes for an incredible scene:
- The confrontation between the hero and lead villain is not a fight. The hero uses the bomb to blackmail the villain into defusing the bomb (thereby admitting that he is the villain). This confrontation is much more interesting than a fight would have been (particularly considering that neither the hero nor the villain is an especially capable combatant).
- There is doubt as to whether the main character’s actually picked out the villain correctly. Besides being a successful businessman, there isn’t any reason to guess that the CEO is a supervillain.
- This confrontation raises the stakes beyond just the main character dying. His plan brings several civilians (including the Queen) into risk if the bomb goes off. First, this was effective because I cared more about the side-characters–the main character was so relentlessly annoying up until this point that I was hoping he would die. Second, this created an unexpected and surprisingly dramatic conflict with non-villains (the Queen’s security team).
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My 2012 resolutions were:
- Increase SN site traffic from 600 hits per day to 900 (50% growth). We averaged 960 (60% growth). Thanks for your help! We had 350,000 hits this year.
- Get in the top 2 results on Google searches for list of superpowers and superpower list. This is hard to measure, because Google personalizes search results, but on this computer I haven’t previously used for SN, SN ranks #3 on list of superpowers and #4 on superpower list. I was previously #6 and #7.
- Get published. Learning to Write Superhero Stories is out! It sold enough copies to clear its advance in its first month, which was definitely a pleasant surprise.
My 2013 resolutions:
- Increase site traffic from 350,000 hits to 500,000 (47% growth). If you happen to know any writers or frequent any other writing websites, please feel free to recommend SN articles whenever helpful. SN fans on National Novel Writing Month forums and TV Tropes were our MVPs this year. Thanks, guys!
- Generate $2500 in royalties on my first book this year. That’d be about 850 sales.
$5 $15 million in total sales with writing. Typical book sale: $5-10. Most recent nuclear reactor sale: north of $1 million. Clearly, I went into the wrong hobby.
- Get 25 Amazon ratings for my book this year. If you’ve read my book, I’d really appreciate if you would take 3-5 minutes to rate it on Amazon. Ratings and reviews play a huge role in Amazon sales.
- Publish another book (of Pixar movie reviews) in 2013. 2ne1 first mini album zip. In addition, I’m preparing for a superhero writing guidebook (rather than movie reviews) in 2014.
- Get a dog! The first name that came to mind was “Chompy,” so I might need some help there.
- Pray Aaron Rodgers gives up those Wisconsin hippies for Chicago. Or AT LEAST BEAT THE VIKINGS SO WE MAKE THE PLAYOFFS. I’m not looking forward to recapping this point next year.
Brief Overview of the Job
- Writing Google/Bing ads which attract as many likely customers to our clients as possible.
- Managing the campaigns, keywords, and price-settings to do #1 as cost-efficiently as possible.
- Working with our design team to convert as many of the people that click on our ads into actual customers as possible. I write copy and help with design planning. #3 is probably a larger part of my job than for most people in similar positions.
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If you’d like some ideas to get you started, here are some points which could help:
- Brief overview of the job.
- What does a typical workday or week look like?
- What is most challenging about your job?
- What did you like most about your job? Least?
- What sort of coursework and/or extracurricular experience might be helpful for succeeding in this job? (For example, if you’re interested in writing online ads, the ability to automate basic tasks in Excel will make your life a LOT easier).
- Skills/traits most important to getting position.
- Interview tips.
- Resume tips.
- Anything you wish you had known about the job before you started or when you were in college.
- Knowing what you do now, is there anything you would have done to prepare for the job?
- Any resources you would recommend for people looking to get into this field.
- As long as the article gives a decent introduction to a writing job, everything else is flexible.
- If you would benefit from a length guideline rather than something more open-ended, many of our articles are in the 250-500 word range.
- If you’d prefer a structure to follow, filter happy together free if you’d like.
Some possibilities which come to mind:
- Can you use one character’s motivations (why he/she wants to do something) to add something to the other character’s goals (what he/she wants to do)? Sometimes a really counterintuitive motivation can open up fresh plotting possibilities. For example, if Character 1 is a cop trying out for SWAT because he’s suicidally brave and Character 2 became a forensic accountant because it was a safe career path might be merged into a cop trying out for SWAT because… he wants to stay safe. What convinced the cop that SWAT was his safest option? For example, maybe an unknown person or people on his unit are trying to get him killed–it’s probably more interesting than someone deciding to join SWAT for a more standard reason.
- Do one character’s personality traits interact with the other character’s personality traits and/or goals in an interesting way? For example, applying Batman’s isolation and/or dearth of empathy to Superman might make Superman feel like more of an actual alien rather than essentially a human with superpowers.
- Which elements of the characters’ background would you change for the merged character? What would you keep?
If you need help coming up with characters to merge, here are some possibilities…